The 14th century was an era of extremes: the Hundred Years' War, the flourishing of chivalry, and the tragic impact of the Black Death. This period marks a turning point in fashion history. Where clothing was previously loose and flowing, there was now a preference for fitted cuts that emphasized the human silhouette.
In this guide, we dive deep into the wardrobe of the 14th-century gentleman, from the elite cotehardie to the practical braies of the working classes.

Fashion in Perspective: Status, Plague, and Legislation
In the 14th century, clothing was a direct communication tool for social status. After the Black Death, a labour shortage meant that craftspeople earned more and could suddenly afford luxuries.
- Sumptuary Laws: To protect the hierarchy, kings introduced strict laws. In England and France, the division between nobility and commoners was strictly enforced. In the Low Countries and Italy, these laws were more localized; wealthy burghers often viewed fines for wearing silk or fur simply as a 'luxury tax'.
- Materials: Wool and linen remained the standard. For the elite, there were exotic fabrics like brocade and silk. An affordable alternative for decoration was block printing, a technique adopted from Islamic Spain.

The Foundation: Undergarments
Undergarments were essential to protect precious, coloured outer clothing from body dirt. They were made of linen, which could be easily washed.
- Braies: The linen undertrousers that came to the knee. To these were attached loose leg coverings (chausses).
- Under-tunic: A linen garment with long sleeves. For men, this was often shorter than for women to create a layered effect under the outer clothing.

The Nobility and Wealthy Burghers: The New Silhouette
In the early 14th century, the tunic remained dominant, but gradually the fit changed drastically.

Cotehardie and Pourpoint
The cotehardie (or kirtle) was a fitted garment that emphasized the waist and shoulders with laces or buttons. The pourpoint was originally a military padded jacket (part of the harness), but was worn as a civilian fashion item to display a knightly character—comparable to wearing combat boots today.

The Houppelande and Mantles
In the second half of the 14th century, the houppelande appeared: a very formal, wide outer garment often with impressive bell sleeves. Mantles were worn over the left side, leaving the right arm (the sword arm) free.

The Knight's Belt and Straps
Knights and squires wore a knight's belt: a richly decorated hip belt with heraldic motifs. Burghers wore long leather straps (2-4 cm) whose ends hung long down.

Headwear and Footwear
The Bycocket and the Coif
The bycocket (the 'Robin Hood hat') was popular among all classes. The coif underwent a transformation: people began rolling it inside-out on the head like a turban, often decorated with feathers and pins.

Poulaines (Pointed Shoes)
Shoes became increasingly pointed as a symbol of masculinity. These poulaines were protected against street dirt by wooden patterns.

5. Peasants, Burghers and Servants

Tunics and Mi-parti
The working man's tunic came to just above the knee for freedom of movement. A striking trend was the mi-parti style: clothing that was divided vertically in two colours, often the heraldic colours of their lord.
Practical Accessories
Peasants wore coifs to keep hair and sweat out of their faces. For travel and fieldwork, felt hats or straw hats were essential.

Jewellery and Pilgrim Badges
Jewellery was often religious (crusader pendants) or functional (seal rings). A unique 14th-century phenomenon were pilgrim badges. These tin pins were souvenirs from holy sites, but there also existed satirical badges (such as a 'pig with bagpipes') that were worn during carnival.
Internal links
- Male Fashion in the High Middle Ages (1066-1300)
- Male Fashion: Late Middle Ages & Early Renaissance (1420-1500)
- Female Fashion in the Late Middle Ages (1300-1420): Revolution in Silhouette
- Doublet: fitted gentlemen's jacket 14th–17th century
Further Reading & Sources
- Manuscript Miniatures: Database for images up to 1450. .
- Fashion in the Middle Ages – Margaret Scott.
- A Cultural History of Dress and Fashion in the Medieval Age – Sarah-Grace Heller.